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Shakira, Arranger, Associated Performer, Composer, Lyricist, Main Artist, Producer, Arranger, Associated Performer, Composer, Lyricist, Producer - Rita Quintero - Léster Méndez for Living Stereo, Inc., Co-Producer - Tim Pierce, Guitar - Jorge Calandrelli, Executive Producer, Piano - Lester Mendez, Arranger, Keyboards - Emilio Estefan, Jr., Executive Producer - Bryan Ray, Guitar - Pablo Aslan, Bass Guitar - Kevin Dillon - RICHARD BRAVO, Percussion - Leyla Leeming - Archie Peña, Percussion - Jose Maldonado - Abraham Laboriel Jr., Drums - Carlos Paucar, Engineer - Jorge Gonzalez, Assistant Engineer, Engineer - Alfred Figueroa, Engineer - Ken Theis, Assistant Engineer - Paul Bushnell, Bass - Ed Williams, Assistant Engineer - Hector Del Curto, Bandoneon - Chris Carroll, Assistant Engineer - David Alsina, Bandoneon - Christine Tramontano, Assistant Engineer - Scott Kieklak, Assistant Engineer - Nicholas Marshall, Assistant Engineer - Oswald Bowe, Assistant Engineer - Alex Dixon, Assistant Engineer - Michael M., Assistant Engineer - Javier Garza, Mixing Engineer, Recording Engineer - Ted Jensen, Mastering Engineer - Terry Manning, Recording Engineer - Eric Schilling, Recording Engineer - David Reitzas, Recording Engineer - Gustavo Celis, Recording Engineer - PAT MCCARTHY, Recording Engineer Dónde Están los Ladrones? remains Shakira's most essential album, but Laundry Service is an excellent English-language debut for the South American vocalist. And by including these four tracks, Shakira seems to be assuring her Spanish-speaking fans that she hasn't abandoned them. While nine of Laundry Service's 13 tracks are in English, four are in Spanish (including Spanish translations of "Whenever, Wherever" and "Objection"). Shakira, it turns out, sings quite convincingly in English - and her creativity is at a high level on melodic, hooky pop/rock like "Rules" and "Ready for the Good Times." Like Shakira's Spanish-language albums, this self-produced CD is enjoyably eclectic she successfully combines pop/rock with everything from tango on "Objection" and Andean music on "Whenever, Wherever" to Middle Eastern music on "Eyes Like Yours" (which contains lyrics by Gloria Estefan and is an English translation of Shakira's late-'90s smash, "Ojos Así"). But it's a challenge that she handles impressively well. For Shakira, singing and writing in mostly English was no doubt a challenge - Spanish, after all, is the Colombian star's primary language.
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"Whenever, Wherever," this album's infectious lead single, is to Shakira what "Livin' la Vida Loca" was to Ricky Martin: the major hit that brought her to English-speaking audiences in a big way. Thus, Latin stars usually don't cross over to English-speaking audiences until they start singing in English, which is what Shakira does on 2001's Laundry Service. Some non-Spanish-speaking listeners don't mind listening to lyrics they don't understand - the beat and the melody are enough for them - but many others insist on understanding every word that is coming out of an artist's mouth.
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The Latin pop and rock en español fields are full of talented artists who would probably be huge in the English-language market if they didn't sing in Spanish exclusively.
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But if you take away the Zeppelin-esque crunch of the Glen Ballard-penned ballad “The One” and the sinuous chants of the Lebanese-flavored “Eyes Like Yours,” you’ll see that, for now, at least, Shakira’s magic is lost in translation.Purchase and download this album in a wide variety of formats depending on your needs. Shakira’s voice is a wild and beautiful instrument, and she’s capable of delivering scorching moments of musical passion, as her live performances have amply demonstrated. Equally misdirected are her efforts to spice things up with obvious touches of Latin American folklore (the opening “Objection” sounds like a cross between “Livin’ la Vida Loca” and an Astor Piazzolla tango). Surrounded by a battalion of producers and songwriters, the twenty-four-year-old yodeling diva can’t quite overcome the pedestrian nature of most of the material at hand, the bulk of which she co-wrote. On her English-language debut, she sounds downright silly, but the blame is not entirely hers. On the spanish-language albums that elevated her to Latin-rock-goddess status, Shakira Mebarak sounded playful, bohemian and rebellious.